Leni riefenstahl marie louise von franz12/24/2023 She began to paint and write poetry at the age of four. Riefenstahl fell in love with the arts in her childhood. Riefenstahl had a younger brother, Heinz, who was killed at the age of 39 on the Eastern Front in Nazi Germany's war against the Soviet Union. However, her mother, Bertha Ida (Scherlach), who had been a part- Time seamstress before her marriage, had faith in Riefenstahl and believed that her daughter's future was in show business. Since Riefenstahl was the only child for several years, Alfred wanted her to carry on the family name and secure the family fortune. Her father, Alfred Theodor Paul Riefenstahl, owned a successful heating and ventilation company and wanted his daughter to follow him into the business world. Helene Bertha Amalie Riefenstahl was born in Germany on 22 August 1902. Riefenstahl died of cancer on 8 September 2003 at the age of 101 and was buried at Munich Waldfriedhof. Besides directing, Riefenstahl released an autobiography and wrote several books on the Nuba people. Throughout her life, she denied having known about the Holocaust. After the war, Riefenstahl was arrested, but classified as being a "fellow traveler" or "Nazi sympathiser" only and was not associated with war crimes. Others go further, arguing that Riefenstahl's visions were essential to the success of the Holocaust. They stated that publicly Riefenstahl seemed "quite infatuated" with Hitler and was in fact the last surviving member of his "inner circle". When in 2000 Jodie Foster was planning a biographical drama on Riefenstahl, war-crime documenters warned against a revisionist view that glorified the director. However, Hitler was in close collaboration with Riefenstahl during the production of at least three important Nazi films, and a closer friendship is claimed to have existed. The exact nature of her relationship with Nazi Party leader Adolf Hitler remains a matter of debate. Her involvement in Triumph des Willens, however, significantly damaged her career and reputation after the war. Both movies are widely considered two of the most effective, and technically innovative, propaganda films ever made. In the 1930s, she directed Triumph des Willens ("Triumph of the Will") and Olympia, resulting in worldwide attention and acclaim. In 1932, Riefenstahl decided to try directing with her own film called Das Blaue Licht ("The Blue Light"). Between 19, she starred in five successful motion pictures. A talented swimmer and artist, she also became interested in dancing during her childhood, taking dancing lessons and performing across Europe.Īfter seeing a promotional poster for the 1924 film Der Berg des Schicksals ("The Mountain of Destiny"), Riefenstahl was inspired to move into acting. She died at the age of 101 on Septemin Pöckling, Germany.Born in 1902 Leni Riefenstahl grew up in Germany with her brother Heinz (1905–1944), who was killed on the Eastern Front in World War II. During the latter half of her career, the artist spent much of her time in Africa, documenting the indigenous Nuba tribe in Sudan in a series of striking color photographs. After World War II, Reifenstahl was the subject of four denazification proceedings, which found her to be an active Nazi sympathizer, though innocent of any war crimes. Smitten with the young filmmaker, Hitler offered her the rare opportunity to direct films for the Nazi party. Transitioning from acting to directing, she was introduced to the Führer during the early 1930s. Pabst film The White Hell of Piz Palü (1929). She famously starred in the successful G.W. A foot injury led Riefenstahl to end her dancing career and she began acting in mid-1920s. I did not join the party.” Born Helene Bertha Amalie Riefenstahl on Augin Berlin, Germany, she pursued dancing as child, going on to perform interpretive dance around Germany as a young woman. “No anti-Semitic word has ever crossed my lips. But I cannot regret that I lived in that time,” she once explained. I can regret that I made the party film, Triumph of the Will, in 1934. Despite this, Riefenstahl’s work remains a premier example of pioneering cinematography techniques, including tracking shots and slow motion. The controversial nature of her relationship with Adolf Hitler cast a long shadow over the career. Leni Riefenstahl was a German actress and director known for her Nazi propaganda films Triumph of the Will (1935) and Olympia (1938).
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